After the bath

Provenance antérieure indéterminée - Vente Christie's, Londres, 9 mai 1913, n° 165 - Wallis C. J. Coté - Durand-Ruel & Cie., New York, 25 mars 1921 - Paul J. Sachs, 2 janvier 1926 - Cambridge, Fogg Art Museum, 1965 [Don Sachs].

New York, The Grolier Club, 1922, Prints, Drawings and Bronzes by Degas - Saint Louis, City Art Museum, 1932, Drawings by Degas - Boston, Boston Museum of Fine Arts, 1935, Independent Painters of 19th Century Paris - Philadelphie, Pennsylvania Museum of Art, 1936, Degas - Brooklyn, Brooklyn Institute of Arts and Sciences, 1939, Great Modern French Drawings - Washington, Phillips Memorial Gallery, 1940, Great Modern French Drawing - Detroit, Detroit Institute of Arts, 1941, Masterpieces of 19th and 20th Century French Drawing from the Fogg Museum of Art at Harvard University and the Museum of Modern Art of New York City - Wellesley, Farnsworth Art Museum (aujourd'hui Davis Museum and Cultural Center), 1946, Drawings by Degas - New York, Century Club, 1947,  Drawings from the Fogg Museum of Art, Harvard University (Collected by Paul J. Sachs) - Detroit, Detroit Institute of Arts, 1951, French Drawings of Five Centuries from the Collection of the Fogg Museum of Art, Harvard University - San Antonio, The Marion Koogler McNay Art Museum,1955, Paintings, Drawings, Prints and Sculpture by Edgar Degas - Cambridge, Fogg Art Museum, 1965-1966,  Memorial Exhibition: Works of Art from the Collection of Paul J. Sachs [1878-1965] Given and Bequeathed to the Fogg Art Museum, Harvard University, Cambridge, Massachusetts - New York, The Museum of Modern Art, 1966-1967, Memorial Exhibition: Works of Art from the Collection of John P. Sachs Given and Bequeathed to the Fogg Art Museum, Harvard University, Cambridge, Massachusetts - Harvard University Art Museums-Arthur M. Sackler Museum, 2005, Degas at Harvard - Boston, Boston Museum of Fine Arts, 2011-2012, Degas and the Nude - Paris, musée d'Orsay, 2011-2012, Degas et le Nu.

Catalogue vente Christie's, Londres, 8-9 mai 1913, n° 165 - Prints, Drawings, and Bronzes by Degas, checklist, The Grolier Club, New York, 1922, cat. n° 27 ou 35, repr. p. 3 - Degas, Braun et Cie, Paris, 1934, n° 13 - Independent Painters of Nineteenth Century Paris, Cat. exp. Museum of Fine Arts, Boston, 1935, n° 123 - Degas, Cat. exp. Pennsylvania Museum of Art, Philadelphie, 1936, n° 85 (repr.) - Ambroise Vollard, Degas, an intimate portrait, Crown Publishers Inc., New York, 1937, pl. 39 - Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press, Cambridge, 1940, vol. 1, cat. n° 674, fig. 350 - Masterpieces of 19th and 20th Century French Drawing from the Fogg Museum..., brochure, Detroit Institute of Arts, 1941, checklist n° 26 - Hilaire-Germain Edgard Degas: 30 Drawings & Pastels, Erich S. Herrmann, New York, 1944, pl. 11 - William G. Constable, “The Nude: Showing a 5-Century Ideal", ArtNews, ed. Alfred M. Frankfurter, ARTnews, 1946, vol. 44, n° 19, janvier, pp. 8-10, repr. p. 10 - James Watrous, The Craft of Old-Master Drawings, University of Wisconsin Press, Madison, WI, 1957, p. 116, repr. p. 117 - Jakob Rosenberg, Great Draughtsmen from Pisanello to Picasso, Harvard University Press , Cambridge, MA, 1959, p. 116, pl. 221 - Jaromir Pecirka, Edgar Degas: Drawings, P. Nevill, Londres, 1963, pl. 59 - Agnes Mongan, Memorial Exhibition: Works of Art from the Collection of Paul J. Sachs [1878-1965]: Given and Bequeathed to the Fogg Art Museum, Harvard University, Cambridge, Massachusetts, Cat. exp. Harvard University, Cambridge, MA, 1965, cat. n° 61 (repr.) - Jakob Rosenberg, Great Draughtsmen from Pisanello to Picasso [Nouvelle édition], Harper & Row, New York, 1974, p. 154, pl. 285 - Nathan Goldstein, The Art of Responsive Drawing [2e édition], Prentice-Hall Press, Englewood Cliffs, NJ, 1977, fig. 2.12 - Vojtech Jirat-Wasiutynski and Thea Jirat-Wasiutynski, "The Uses of Charcoal in Drawing", Arts Magazine, octobre 1980, vol. 55, n° 2, pp. 128-135, p. 131 - Terisio Pignatti and Maria Agnese Chiari Moretto Wiel, Il disegno: da Altamira a Picasso, Milan, 1981, repr. p. 326 - Theodore Reff, Philippe Brame, Degas et son Oeuvre: a Supplement, Garland Publishers, Inc., New York, Londres, 1984, n° 116 (repr.) - Nathan Goldstein, The Art of Responsive Drawing, Prentice-Hall Press, Englewood Cliffs, 1984, fig. 2.13; p. 30 - Pia Desantis, "Study of the Five Degas Pastels in the Fogg Art Museum" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, juillet 1985), Unpublished, pp. 1-94 - Nathan Goldstein, The Art of Responsive Drawing, Prentice-Hall Press, Englewood Cliffs, 1992, fig. 2.19; pp. 32, 40 - Roger Ward, Dürer to Matisse: Master Drawings from The Nelson-Atkins Museum of Art, Cat. exp. Nelson-Atkins Museum of Art, Kansas City, 1996, p. 226, cat. 74 - Marjorie B. Cohn, Jean Sutherland Boggs, Degas at Harvard, Cat. exp. Harvard University Art Museums/Yale University Press, Cambridge, New Haven, 2005, cat. n° 44, fig. 10, pp. 29, 34, 64 - Musée d'Art moderne André Malraux, Ville du Havre, De Delacroix à Marquet: Donation Senn-Foulds, Dessins, Cat. exp. Somogy, Paris, 2011, p. 200, repr. p. 200, fig. 87.2 - George Shackelford, Xavier Rey, Degas and the Nude, Cat. exp. Museum of Fine Arts, Boston, 2011, pp. 170-171, repr. p. 170, fig. 177, p. 227.