Dancer Kneeling
Pastel (rehauts) et craie noire
616
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel (rehauts) et craie noire
616
Pastel, fusain
1311
Huile
1345
Huile
2028
Pastel
2014
Pastel
2017
Pastel, fusain
2026
Pastel
1298
Huile
2023
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367
Pastel
2018
Pastel, fusain
1629
Pastel sur monotype
460
Pastel
2029
Pastel
1273
Pastel, fusain
2092
Pastel sur monotype
1136
Pastel
2088
pastel, Fusain
1505
Pastel, fusain
1470
Pastel, fusain
506
Huile
333
Pastel
309
Huile
2153