Two Dancers
Huile
305
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Huile
305
Pastel
2040
Pastel
2042
Huile
2039
Pastel
2043
Pastel
2038
pastel
134
Pastel
2044
Pastel, fusain
478
Pastel
2037
Pastel
556
Pastel
566
Huile
1102
Pastel
2033
pastel, fusain, rehauts de gouache
1223
Pastel, crayon
2524
Pastel
2034
Pastel
2035
Pastel, craie noire
2045
Pastel sur monotype
405
Huile, crayon rehaussé de pastel et de craie blanche
75
Huile
2036
Pastel
2566
Pastel
1225