Pink Dancers
Huile
430
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Huile
430
Pastel, crayon
82
Pastel, fusain
2148
Pastel
1116
Pastel, fusain
1786
Pastel
412
Pastel, fusain
902
Huile
578
Pastel
2112
Huile
452
Pastel
435
Pastel
259
Pastel, fusain
1762
Huile
1500
Pastel
1498
Pastel, fusain
2209
Huile
950
Pastel, craie noire
1430
Pastel, fusain
24
Huile
1426
Pastel sur monotype
1410
Pastel
1072
Pastel
1691
Pastel, fusain
1811