Preparation for the Ballet or The Double Bass
Peinture à l'essence
2185
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Peinture à l'essence
2185
Pastel
2186
Pastel, fusain
2187
Pastel, craie noire
2188
Pastel
2190
Pastel, fusain
2191
Pastel, fusain
2192
Pastel
2194
Huile
2196
Pastel, fusain
1682
huile
2651
Pastel
1007
Pastel, fusain
2600
Pastel
1238
Pastel
976
pastel, Fusain
965
Huile
869
Pastel
2393
Pastel, crayon
1103
Pastel
1084
Pastel
1083
Pastel
2077
Pastel, fusain
2553
Pastel, fusain
2568