Woman at Her Toilette
Huile, fusain rehaussé de craie
2584
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Huile, fusain rehaussé de craie
2584
Pastel
2268
Pastel, fusain
1166
Pastel
2069
Pastel
1062
Pastel, aquarelle
1060
Pastel
1215
Pastel
1076
Huile
1065
Pastel
2275
Pastel
2274
Pastel
2273
Pastel, fusain
2272
Pastel
2271
Pastel
2289
Pastel
2291
Pastel
2735
Pastel
2287
Pastel
2285
Ppastel
2284
Pastel, fusain
1701
Pastel et fusain sur papier
2710
pastel, fusain
2681
Pastel
2659