Two Dancers at Rest
Pastel
144
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel
144
Pastel, fusain
1729
Pastel
1458
Pastel
2343
Huile
2344
Pastel, fusain, craie blanche
2342
Pastel
2340
Pastel
2341
Pastel
2339
Pastel
2350
Pastel, fusain
2127
Pastel
2345
Pastel, fusain
2351
Pastel
2349
pastel, fusain
2348
Pastel, fusain
2346
Fusain
2347
Pastel, fusain
2352
Pastel
151
Pastel
1486
Pastel, fusain
1363
Pastel
1556
Pastel
336
Pastel, craie noire
20