Three Russian Dancers
Pastel, fusain
1204
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel, fusain
1204
Pastel, fusain rehaussé de craie blanche
1720
Pastel, fusain
1221
Pastel
160
Pastel
1725
pastel, fusain, craie blanche
1378
Pastel, fusain
1616
Pastel
1700
Pastel, fusain
269
Pastel, fusain
2338
Pastel, fusain
2417
Pastel
1352
Huile
2125
Huile
268
Pastel, fusain
1450
Huile
255
Pastel, fusain
316
Pastel, fusain
1468
Pastel
2323
Pastel, fusain
1729
Pastel
1050
Pastel, fusain sur papier-calque
1090
Pastel
1093
Pastel, fusain
1569