Woman Drying Her Right Arm
Pastel, fusain
1052
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel, fusain
1052
pastel
1055
Pastel
1056
Pastel
1057
Pastel
1058
Pastel, aquarelle
1060
Pastel
1061
Pastel
1062
Huile
1063
Huile
1064
Huile
1065
Pastel
1066
Pastel, fusain
1067
Pastel
1068
Pastel, crayon noir
1070
Pastel
1072
Pastel, fusain, craie blanche
1073
Pastel sur monotype
1075
Pastel
1076
Huile
1077
Pastel
1079
Pastel
1081
Pastel
1083
Pastel
1084