After the Bath
Pastel, fusain
1351
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel, fusain
1351
Pastel
1352
Pastel
1354
Pastel
1360
Gouache rehaussée de peinture à l'huile
1361
pastel, fusain
1362
Pastel, fusain
1363
Huile, sépia
1364
Pastel sur monotype
1366
Pastel, fusain
1367
Peinture à l'essence
1368
Pastel, fusain
1369
Huile
1370
Pastel
1371
Huile
1373
Pastel sur monotype
1374
Peinture à l'essence, lavis brun, rehauts de gouache
1375
Pastel
1377
pastel, fusain, craie blanche
1378
Pastel
1380
pastel, monotype
1383
Pastel, fusain, monotype
1384
Huile
1385
Huile
1387