Landscape
Peinture à l'essence
2233
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Peinture à l'essence
2233
Pastel
2237
Pastel
2238
Huile
2239
Pastel
2240
Pastel, fusain sur monotype
2241
Huile
2242
Pastel, fusain
2243
¨Pastel
2244
Peinture à l'essence
2245
Pastel
2246
Pastel
2247
Huile
2248
Pastel
2249
Pastel
2250
Pastel
2251
Pastel, fusain
2252
Pastel, crayon
2253
Pastel
2254
Pastel, crayon sur monotype
2255
Pastel
2256
Pastel
2257
Pastel
2258
Pastel
2259