Woman Getting Out of the Bath
Pastel, fusain
2661
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel, fusain
2661
Huile
2662
Huile
2663
encre noire, Aquarelle rehaussée de pastel
2664
Huile
2665
Huile
2667
Pastel
2670
pastel
2671
Pastel, fusain
2673
Huile
2674
Pastel, fusain
2675
Pastel
2677
Pastel
2678
Pastel, fusain
2680
pastel, fusain
2681
Pastel et fusain sur papier
2683
Pastel, crayon de couleur
2684
craie blanche, Peinture
2688
Pastel
2691
Huile
2692
Pastel
2695
Pastel
2698
Huile
2699
Pastel et fusain sur papier
2710