Portrait of a woman after a drawing attributed to Leonardo da Vinci

The Museum of Modern Art, Memorial Exhibition: The Collection of the Late Miss Lizzie P. Bliss, Cat. exp. New York, 1931, n° 64 (repr.) - The Lillie P. Bliss Collection, The Museum of Modern Art, New York, 1934, n° 31 (repr.) - Lemoisne, 1946-1949 [opposite p. 30, fig. et vol. 2, cat. n° 53, p. 24] - John Rewald, The History of Impressionism, The Museum of Modern Art, New York, 1946, p. 55 (repr.) - 19th Century French Drawings, Cat. exp. California Palace of the Legion of Honor, San Francisco, 1947, n° 86 p. 55 - Jakob Rosenberg, Great Draughtsmen from Pisanello to Picasso, Harvard University Press, Cambridge, 1959, p. 107 (repr.) - Bernard Berenson, I disegni dei pittori fiorentini, Milan, 1961, p. 460, repr. fig. 972 - Jean Leymarie, Henri Loyrette, Degas e L'Italia, Cat. exp. 1984, cat. n° 21, p. 80 - Jean Sutherland Boggs, Degas, Cat. exp. Paris, Ottawa, New York, 1988-1989, Degas, p. 76, repr. fig. 33 - Christopher Reed, "Mad for Degas", Harvard Magazine, juillet 2005 - août 2005, vol. 107, n° 6, pp. 40-45, repr. p. 44 - Cohn, Boggs, Cat. exp. Degas at Harvard, 2005, cat. n° 54, fig. 14, p. 32 - Musée d'Art moderne André Malraux, Ville du Havre, De Delacroix à Marquet : Donation Senn-Foulds, Dessins, Cat. exp. 2011, repr. p. 116, fig. 44 repr. n°114 de la vente de son atelier en 1919 - Henri Loyrette, Degas: A New Vision, Cat. exp. National Gallery of Victoria, Melbourne et The Museum of Fine Arts, Houston, 2016, p. 46, repr. p. 46.