After the bath - Woman drying herself

Atelier Degas - Vente Degas, 1918, II, n° 267 (repr.) - J. P. Sachs, 1965 - Cambridge, Fogg Art Museum, 1965  [Don Sachs].

Cambridge, Fogg Art Museum, 1931, Degas - Philadelphie, Pennsylvania Museum of Art, 1936, Degas - Detroit, Detroit Institute of Arts, 1941, Masterpieces of 19th and 20th Century French Drawing from the Fogg Museum of Art at Harvard University and the Museum of Modern Art of New York City - Saratoga Springs, Skidmore College, 1942, Unidentified Exhibition - New York, Buchholz Gallery, 1945, Edgar Degas Bronzes, Drawings, Pastels - Wellesley, Farnsworth Art Museum (aujourd'hui Davis Museum and Cultural Center), 1946, Drawings by Degas - New York, Century Club, 1947, Drawings from the Fogg Museum of Art, Harvard University (Collection Paul J. Sachs) - Detroit, Detroit Institute of Arts, 1951, French Drawings of Five Centuries from the Collection of the Fogg Museum of Art, Harvard University - San Antonio, The Marion Koogler McNay Art Museum, 1955, Paintings, Drawings, Prints and Sculpture by Edgar Degas - Camridge, Fogg Art Museum, 1961, Ingres and Degas: Two Classical Draughtsmen - Cambridge, Harvard University Art Museum-Arthur M. Sackler Museum, 2005, Degas at Harvard, n° 43,  fig. 9, repr. p. 28 - Boston, Paris, 2011-2012, Degas et le nu/Degas and the Nude, cat. 197, repr. p. 204 [Ed. française] - Cambridge, Harvard Art Museum, 2016, Body Image in French Art and Visual Culture (18th & 19th Centuries).

Degas, Cat. exp. Pennsylvania Museum of Art,Philadelphie, 1936, n° 86 (repr.) - Agnes Mongan, Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press, Cambridge, 1940, vol. 1, cat. n°  677, fig. 353 - Masterpieces of 19th and 20th Century French Drawing from the Fogg Museum..., brochure, Detroit Institute of Arts, 1941, checklist n° 27 - Allene Talmey, "The Fogg Art Museum at Harvard", Vogue, New York, 15 juillet  1947, pp. 44-49, 78-80, repr. p. 47 - Paul J. Sachs, Modern Prints and Drawings, Alfred A. Knopf, Inc., New York, 1954, p. 32, pl. 28 - Jon Garelick, "Abstract Thoughts: The Transitional and Transcendent Art of Edgar Degas at the Sackler Museum", The Boston Phoenix, 5 août 2005, p. 18, p. 18 (repr.) - Holland Cotter, "Degas, Director: An Easel Becomes a Stage", The New York Times, 5 août 2005, pp. B25, B27, repr. p. B27 - Hilton Kramer, "Loner, Misfit Degas: Lover of Bathers was Never Impressionist", The New York Observer, 7 septembre 2005 - Christopher Reed, "Mad for Degas", Harvard Magazine, juillet 2005 - août 2005, vol. 107, n° 6, pp. 40-45, p. 43 (repr.) - Cohn, Boggs, Degas at Harvard, Cat. exp. Harvard University Art Museums/Yale University Press, Cambridge-New Haven, 2005, cat. n° 43, fig. 9,  repr. p. 28 - Rey, Roquebert, Shackelford, Cat. exp. Boston Paris, 2011-2012, Degas et le nu/Degas and the Nude.