After the bath - Woman drying her hair

Atelier Degas - Vente Degas, 1918, II, n° 289 (repr.) - Paul J. Sachs, avant 1932 [Sadajiro Yamanaka] - Cambridge, Fogg Art Museum, 1965  [Don Sachs].

Cambridge, Fogg Art Museum, 1931, Degas - Philadelphie, Pennsylvania Museum of Art, 1936, Degas - Brooklyn, Brooklyn Institute of Arts and Sciences Museum, 1939, Master Drawings  - Santa Barbara, Santa Barbara Museum of Art, 1943,  Master Drawings -  Baltimore Museum of Art, 1943, Untitled exhibition of French drawings - New York, Buchholz Gallery, 1945,  Edgar Degas, Bronzes, Drawings, Pastels - Hartford, Wasdworth Atheneum Museum of Art, 1946, The Nude in Art : Loan Exhibition of Paintings and Drawings - New York, Charles E. Slatkin Galleries, 1958, Renoir, Degas : A Loan Exhibition of Drawings, Pastels, Sculptures, n° 17, pl. XIV - Cambridge, Fogg Art Museum, 1961, Ingres and Degas : Two Classical Draughtmen - Boston, Museum of Fine Arts, 1974, Edgar Degas : The Reluctant Impressionist - Londres, Chicago, 1996-1997, Degas : Beyond Impressionism, cat. 50, repr. p. 235 - Cambridge, Fogg Art Museum, Degas at Harvard, 2005, n° 42, fig. 33, repr. p. 63 - Boston, Paris, 2011-2012, Degas et le nu/Degas and the Nude, cat. 193, repr. p. 202 [Ed. française].

Cambridge, Fogg Art Museum, 1931,Degas, checklist, n° 21b - Degas, Cat. exp. Pennsylvania Museum of Art, Philadelphie, 1936, n° 87 (repr.) - Agnes Mongan, Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press, Cambridge, 1940, vol. 1, cat. n° 676, fig. 352 - William G. Constable, “The Nude: Showing a 5-Century Ideal", ArtNews, janvier 1946, vol. 44, n° 19, pp. 8-10, repr. p. 10 - William G. Constable, The Nude in Art : Loan Exhibition of Paintings and Drawings, Cat. exp. Hardford, Wadsworth Atheneum Museum of Art, 1946, n° 17 - S. Lane Faison, Jr., Great Paintings of the Nude, 1953, repr. p. 18 - Charles E. Slatkin Galleries, Renoir, Degas : a loan exhibition of drawings, pastels, sculptures, Cat. exp. New York, 1958, n° 17, pl. XIV - Michael Ayrton, "The Nature of Drawing", The Studio, janvier 1961, vol. CLXI, repr. p. 39 - Ingres and Degas: Two Classical Draughtsmen, Cat. exp. Fogg Art Museum, Cambridge, 1961, n° 23 - Barbara S. Shapiro, Edgar Degas: the Reluctant Impressionist, Cat. exp. Boston Museum of Fine Arts, 1974, n°  88 - Vojtech Jirat-Wasiutynski, Thea Jirat-Wasiutynski, "The Uses of Charcoal in Drawing", Arts Magazine, Octobre 1980, vol. 55, n° 2, pp. 128-135, fig. 7, p. 131 - Martin Gayford, "'Believe me wicked'" [exhibition review of Degas: Beyond Impressionism], The Spectator, 1 Juin 1996, p. 38 - Kendall, Cat. exp. Londres, Chicago, Degas : Beyond Impressionism, cat. 50, repr. p. 235 - Masterpieces of world art : Fogg Art Museum-Arthur M. Sackler Museum, Busch-Reisinger Museum, 1997 - Edward Saywell, "Guide to Drawing Terms and Techniques", Harvard University Art Museums Bulletin, Harvard University Art Museums, Cambridge, 1998, vol. VI, n° 2, pp. 30-39, p. 31 sous l'appelation "fusain" - Jennifer Janicki, Glorious Borders : Three Centuries of French Frames, Cat. exp. Gold Leaf Studios Washington,1999, p. 11 - June Rose, Mistress of Montmartre: A Life of Suzanne Valadon, St. Martin's Press, New York, 1999, repr. p. 82 - David Bomford, Art in the Making: Degas, Cat. exp.  National Gallery Publications/Yale University Press, Londres et New Haven, 2004, pp. 124-25, repr. fig. 132 - Cohn, Boggs, Cat. exp. Degas at Harvard, 2005, n° 42, fig. 33, repr. p. 63 - Rey, Roquebert, Shackelford, Cat. exp. Boston, Paris, 2011-2012, Degas et le nu/Degas and the Nude - Roger Malbert, Drawing People, 2015, repr. pp.8- 9 - Ewa Lajer-Burcharth, Elizabeth M. Rudy, Cat. exp. Cambridge, Fogg Art Museum, 2017, Drawing : The Invention of a Modern Medium, pp. 206, 286, repr. p. 207, fig. 3.