Two Dancers Resting
Pastel, gouache
1509
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel, gouache
1509
Huile
909
Pastel, fusain
1170
Huile
1415
Pastel sur monotype
437
Pastel, monotype
444
Pastel
196
Pastel sur monotype
1705
Pastel, craie noire
221
Huile
1168
Pastel
1317
Pastel, gouache, monotype
1488
Pastel
774
Peinture à la détrempe, pastel, gouache et fusain
784
Pastel
1310
Pastel en éventail
547
Pastel sur monotype
2005
Pastel
554
Pastel sur monotypoe
660
Pastel
164
Pastel, fusain
131
Pastel
1298
Pastel, craie noire
1767
Pastel et fusain
802