Jockeys at the Race
Huile
2430
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Huile
2430
Pastel
1754
Pastel
2231
Pastel sur monotype
2229
Pastel sur monotype
2227
Pastel
2225
Pastel, fusain
2218
Pastel
2217
Pastel, monotype
2391
Pastel
1194
Pastel sur monotype
1274
Pastel
2179
Pastel
2392
Pastel, fusain
2123
Pastel
2238
Huile
2239
Pastel
2240
Pastel, fusain sur monotype
2241
Pastel
1800
Pastel sur monotype
2113
Pastel sur monotype
2110
paste
1010
Pastel, fusain
1849
Pastel, fusain
1236