Portrait of a Woman
28 × 23 cm, Huile
1869
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Singer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
28 × 23 cm, Huile
1869
29 × 30 cm, Huile
1870
18 × 14 cm, Huile
1871
43 × 63 cm, Huile
1873
24 × 33 cm, Huile
1874
21 × 27 cm, Huile
1875
41 × 65 cm, Huile
1876
65 × 81 cm, Huile
1877
116 × 90 cm, Huile
1878
32 × 44 cm, Huile sur carton sur toile
1880
41 × 33 cm, Huile
1883
41 × 32 cm, Huile
1885
81 × 65 cm, Huile
1886
59 × 76 cm, Huile
1887
26 × 34 cm, pastel
1888
61 × 46 cm, Huile
1889
34 × 27 cm, Huile
1890
30 × 21 cm, Huile
1891
27 × 35 cm, Pastel, craie noire
1892
24 × 30 cm, Peinture à l'essence et gouache
1894
27 × 13 cm, Peinture à l'essence
1895
31 × 25 cm, Esquisse au pinceau
1896
22 × 27 cm, huile
1897
61 × 49 cm, Huile
1898