Three Dancers
Pastel
2216
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel
2216
Pastel, crayon de couleur
2614
Pastel, fusain
1768
Pastel
2327
Pastel
2329
Pastel
1019
Pastel, fusain
1067
Huile
2109
Pastel
2500
Pastel, fusain
2325
Pastel
2334
Pastel
2336
Pastel
2337
Pastel
2323
Pastel
2422
Pastel, fusain, réhaussé de craie
2440
Pastel
1700
Pastel, fusain
1221
Pastel
2552
Pastel, fusain
1204
Huile
2125
Pastel
1813
Pastel, fusain, estompe, lavis noir, touches de sanguine, craie bleue
1094
Pastel
1093