Jockey
31 × 25 cm, Esquisse au pinceau
1896Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Singer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
31 × 25 cm, Esquisse au pinceau
1896
31 × 24 cm, Pastel et fusain
1796
180 × 152 cm, Huile
102
55 × 45 cm, Huile
1602
23 × 30 cm, Huile [Lemoisne indique esquisse à l'essence], Gouache et huile
1491
73 × 54 cm, Huile
1624
22 × 20 cm, Peinture à l'essence
1291
45 × 31 cm, Peinture à l'essence, rehauts de gouache blanche
103
63 × 34 cm, Huile
754
27 × 35 cm, Pastel et craie noire
1892
32 × 24 cm, Pastel, fusain
1595
27 × 41 cm, Peinture à l'essence
1531
31 × 28 cm, Peinture à l'essence, gouache
1618
25 × 38 cm, Huile
210
78 × 51 cm, Huile
741
28 × 22 cm, Peinture à l'essence
1508
85 × 65 cm, Huile
853
59 × 48.8 cm, Huile [Lemoisne indique esquisse à l'essence]
1697
47 × 29 cm, Peinture à l'essence et gouache
1737
30 × 21 cm, Huile
1891
27 × 13 cm, Peinture à l'essence
1895
130 × 144 cm, Huile
787
59 × 44 cm, Huile
791
22 × 27 cm, Huile
1897