Seated Woman and Woman at Rest
Pastel, craie noire
2464
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel, craie noire
2464
Pastel
872
Huile
868
Pastel
1419
Pastel, Crayon graphite
1643
Pastel
78
Pastel
2425
Pastel
2383
Pastel et craie noire
1471
Pastel sur monotype sur papier
1234
Pastel
2146
Pastel, fusain
2134
Huile [Lemoisne indique esquisse à l'essence]
450
Pastel, monotype
2135
Pastel
448
Pastel
2063
Pastel, craie noire
2136
Pastel
1788
Pastel, fusain
2133
pastel
972
Pastel
2137
Pastel
423
Pastel
76
Pastel
1032