Woman Drying Herself After the Bath
Pastel, fusain
1424
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel, fusain
1424
Pastel
1304
pastel sur monotype
964
Pastel
2146
Huile
2138
Pastel
2140
Pastel
1032
Pastel
2425
Pastel, fusain, monotype
1384
Pastel, craie noire
2136
Pastel
2137
Pastel, fusain
2134
Pastel
2139
Huile
1713
Pastel, fusain
2133
Pastel, monotype
2135
Pastel
2144
huile
1284
Pastel
994
Pastel
565
Huile
2587
Pastel
1519
Pastel
2091
Pastel sur monotype
1683