Unhappy Nelly
Pastel
790
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel
790
Pastel, fusain
131
Pastel
2011
Pastel
164
Huile
1587
Pastel, craie noire
1767
Pastel, fusain
803
Pastel sur monotypoe
660
Pastel et fusain
802
Fusain, et rehauts de pastel
1764
Huile
245
Pastel (rehauts) et craie noire
616
Pastel, fusain ou craie noire
2611
Pastel, fusain
1629
Pastel, fusain
2012
huile
936
pastel, monotype
1005
Pastel, fusain
2117
Pastel
1557
pastel
1621
Pastel
554
Pastel
1172
Pastel, fusain
267
Pastel, fusain
513