Before the Race
Pastel
1499
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel
1499
Huile
1500
Pastel et lavis sur papier
1501
Huile
1502
pastel, Fusain
1505
Pastel
1506
Pastel
1507
Peinture à l'essence
1508
Pastel, gouache
1509
Pastel, fusain
1511
Huile
1512
Pastel, fusain, crayon
1515
Pastel
1516
Pastel, gouache, crayon graphite
1518
Pastel
1519
Pastel
1520
Pastel
1521
Pastel, fusain
1523
Pastel, fusain
1524
Pastel sur monotype sur papier
1525
Pastel, fusain
1526
1528
Pastel, fusain
1530
Peinture à l'essence
1531