The Dance Foyer or The Rehearsal
Pastel sur papier
2714
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel sur papier
2714
Peinture à l'essence
1965
Peinture à l'essence, rehauts de pastel
1968
Peinture à l'essence
1141
Huile
2420
Pastel
2412
Pastel sur monotype
2403
Huile
1271
Huile
932
Huile
1144
Huile
1164
Pastel, fusain
1964
Fusain
1677
Pastel, fusain
2636
Pastel sur monotype
1294
Pastel, fusain
1960
Huile
1961
Peinture à l'essence
1962
Huile
759
Peinture à l'essence
53
Huile
812
pastel
905
Huile
896
Huile
849