Bather Lying on the Floor
Pastel
1220
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel
1220
Pastel, fusain
1221
Pastel, Peinture à l'essence
1222
pastel, fusain, rehauts de gouache
1223
Pastel, fusain
1224
Pastel
1225
Pastel, crayon noir
1226
Huile
1227
Pastel
1229
Pastel
1230
Pastel
1232
Pastel sur monotype sur papier
1234
Pastel sur monotype
1235
Pastel, fusain
1236
Pastel, fusain
1237
Pastel
1238
Pastel, crayon de couleur
1239
Pastel sur monotype
1240
Pastel sur monotype
1241
Huile
1242
Huile
1243
Pastel, fusain
1244
Pastel, monotype
1245
Pastel, fusain
1247