Dancer in Pink
Pastel
1813
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel
1813
Pastel
1817
Pastel, fusain
1818
Pastel
1820
Pastel, fusain
1821
Pastel, fusain
1825
Pastel, fusain
1826
Pastel
1827
Pastel
1831
Pastel, fusain
1838
Pastel
1842
Pastel, fusain
1845
Huile
1847
Huile
1848
Pastel, fusain
1849
Pastel, monotype
1850
Peinture à l'essence, gouache
1854
Huile
1855
Peinture à l'essence sur papier huilé
1856
Peinture à l'essence
1857
Huile
1859
Huile
1860
Huile
1861
Huile
1862