Dancer
Pastel
414
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel
414
Pastel sur monotype
415
Pastel, gouache
416
pastel sur monotype
417
Peinture à la détrempe rehaussée de pastel sur carton
418
Pastel, fusain
421
Huile
424
Huile
427
Huile
430
Pastel
432
Pastel, gouache, craie noire
433
Pastel
434
Pastel
435
Huile
436
Pastel sur monotype
437
Huile
438
Pastel
441
Pastel, fusain
442
Pastel, monotype
444
Pastel, gouache et crayon graphite sur monotype sur carton
445
Pastel
446
Pastel, essence sur monotype
447
Pastel
448
Pastel sur monotype
449