Woman Drying Herself After the Bath
Pastel, fusain
1562
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
Pastel, fusain
1562
pastel, fusain
1563
Pastel
1564
Pastel
1565
Pastel
1566
Pastel
1568
Pastel, fusain
1569
Pastel
1570
Pastel sur monotype
1571
pastel, monotype
1572
Pastel sur monotype sur papier
1574
Peinture à l'essence
1576
Pastel, fusain
1581
à l'essence, Peinture, traces de craie noire
1582
Pastel sur monotype à l'encre noire
1583
Pastel
1585
Pastel, fusain
1586
Huile
1587
Pastel
1588
Huile
1589
Pastel
1591
Huile
1592
Pastel, fusain
1593
Pastel
1594