Study of a Man's Head
huile
1597
Pastels are the most famous and representative works of Degas' art. Among Degas' numerous pastels, we have chosen this Woman Before a Mirror - Hamburger Kunsthalle (Hamburg) - reproduced on the home page. Here, Degas has chosen elegant and harmonious colors showing his perfect mastery of technique: like At the Milliner's from the Thyssen-Bornemisza Museum – Madrid - and his Dancer in Green from the Metropolitan Museum of Art, New York. In some, he plays with a dominant color, with green in his Large Dancers, with blue in his Two Dancers at Rest and with pink in his Dancers from the Fitzwilliam Museum, Cambridge. For his pastels, Degas can use various supports: paper, panel, cardboard and even canvas as for his Seated Dancers. He also turns to other subjects such as bathers illustrated by this pastel Bathers from the National Gallery, Washington and horse racing like Before the Race from the Cleveland Museum of Art.
Paintings present another facet of Degas' art. He treats certain subjects not found in his pastels touching for example on music and the Opera like Degas' Father Listening to Pagans from the Boston Museum of Fine Arts.
Another theme addressed by Degas, essentially in his paintings: his portraits of which The Bellelli Family from the Musée d'Orsay is undoubtedly the most illustrious example.
Through the variety of subjects treated in his paintings and pastels, Degas was an observer of intimacy, thus distinguishing himself from the Impressionist artists who sought other values.
huile
1597
Pastel sur papier
1598
Pastel
1599
Huile
1601
Pastel
1603
Huile
1604
Pastel, fusain
1606
Huile
1609
Huile
1611
Pastel sur papier sur carton
1612
Pastel, fusain
1616
Pastel, crayon noir
1617
Peinture à l'essence, gouache
1618
Huile, crayon graphite
1619
pastel, fusain
1620
pastel
1621
Huile
1623
Huile
1624
pastel, fusain
1627
Peinture à l'essence
1628
Pastel, fusain
1629
huile
1632
Peinture à l'essence
1633
Pastel
1635