©Kansas City, Nelson-Atkins Museum

La répétition du ballet

[The ballet rehearsal]

MS : 362
Musée
Nelson-Atkins Museum, Kansas City - Missouri - Etats-Unis
Inv. F. 73-30

L'œuvre
Dimensions
55 × 67 cm - 21 5/8 × 26 3/8 in.
Période
Circa 1876
Médium
Pastel, gouache
Support
Papier
Signature
en haut à droite : Degas
Lemoisne
II-365, p. 195

Informations additionnelles

Historique

Probablement acheté à Tanguy par Louisine Elder [Mme H. O. Havemeyer], New York, circa 1877 – Mme Peter Hood Ballantine Frelinghuysen, New Jersey et Palm Beach – George Griswold Frelinghuysen, 1932-1965 – Vente Sotheby’s, Parke Bernet, New York, 14 avril 1965, n° 49 – Pasadena, 1976-1977, Norton Simon Museum – Vente Sotheby’s, New York, Parke Bernet, 2 mai 1974, n° 7 – Marlborough Gallery, New York – Kansas City, Nelson- Atkins Museum, 1973 [Acquisition Kenneth et Helen F. Spencer Foundation Fund]. [Selon le catalogue de vente de l'INHA, Paris,  VP 1974/580, la vente a eu lieu le 2 mai 1974 et non en 1973].

Expositions

Paris, 6 rue Le Peletier, 1877, n° 61 (?) - New York, National Academy of Design, 1878, n° 133 - New York, Knoedler & Co., 1915, n° 33 - New York World's Fair, 1939 [Hors catalogue] - New York, World's Fair, 1940, Masterpieces of Art, n° 274, repr. p. 189 - Kansas City, Nelson-Atkins Museum, 1973-1974, Fortieth Anniversary [Sans catalogue] - New York, Metropolitan Museum, 1975, The Impressionist Epoch [Sans catalogue] - Kansas City, Nelson-Atkins Museum, 1983, n° 36 A - Pittsburgh, Minneapolis, Kansas City, Saint- Louis, Toledo, 1989-1990, n° 18 - Detroit, Philadelphie, 2002-2003, Degas et la danse, n° 233, repr. p. 297 - Williamstown, Barcelone, 2010-2011, Picasso Looks at Degas, cat. 301, repr. p. 289 - New York, Museum of Modern Art, 2016, n° 6, repr. p. 24 - Paris, Washington, 2019-2020, Degas à l'Opéra, fig. 252, repr. p. 239.

Bibliographie

Moran, Art Journal, 1878, p. 92 - New York, Knoedler & Co., 1915, p. 20 - Meier-Graefe, 1923, p. 60 - H. O. Havemeyer Collection, 1931, pp. 364-365 (repr.) - Christopher, Pach, Catalogue of European and American Paintings : Masterpieces of Art, New York World’s Fair, 1940, repr. pp. 188-189 - Lemoisne, 1946-1949, II, n° 365, repr. p. 195 - Fosca, 1954, pp. 52-53 (repr.) - Havemeyer, Sixteen to Sixty, 1961, pp. 249-251 (repr.) - Pickvance, Burlington Magazine 103, 1963, p. 264 n. 71 - Janis, "The Role of the Monotype in the Working Method of Degas", Burlington Magazine, n° 766, janvier 1967, p. 22, n. 13, repr. p. 23 - Janis, "The Role in the Working Method of Degas", Burlington Magazine, n° 767, février 1967, p. 72 - Janis, Degas, Monotypes, Essay, Catalogue and Checklist, Fogg Art Museum, 1968, n° 2, repr. p. 4 [Non exposé] - Lassaigne, Minervino, 1974, n° 485, repr. p. 109 - Adhémar, Cachin, 1974, pp. 269, 281 - "The Gallery in the Bicentennial Year", The Nelson Gallery and Atkins Museum Bulletin 5, n° 3, février 1976, p. 4 - "Recent Acquisitions", The Nelson Gallery and Atkins Museum Bulletin 5, février 1976, p. 38 (repr.) - Dunlop, 1979, Edgar Degas, p. 109 (repr.) - American Impressionism, Seattle, Henry Art Gallery, University of Washington, 1980, pp. 26, 28, 46 (repr.) - Kansas City, 1983, pp. 8, 15, 27 (repr.) - Gerdts, 1984, p. 49, pl. 40, p. 53 - Shackelford, Cat. exp. National Gallery of Art, 1984-1985, Degas. The Dancers, fig. 2.10, repr. p. 59 - Weitzenhoffer, 1986, pp. 21, 23, 26, 244, repr. p. 33 - The Collections of the Nelson-Atkins Museum of Art, 1988, pp. 104-105 (repr.) - Paris, Ottawa, New York, 1988-1989, Degas, fig. 130, repr. p. 260 - Gerstein, Impressionism : Selections from Five American Museums, 1989, pp. 20, 58, repr. p. 59 - Sutton, GBA, juillet-août 1990, pp. 35-36 (repr.) - Loyrette, Degas, 1991, p. 431 - Armstrong, 1991, pp. 131-132, 146-148, repr. fig. 79, 80, p. 147 - Boggs, Maheux, 1992, pp. 12, 28-29 (repr.) - Denvir, 1993, p. 108 (repr.) - Freylinghuysen, 1993, pp. 4, 6, 36, 77, 203, 329-330 (repr.) - New York, The Metropolitan Museum, 1993, Splendid Legacy :The Havemeyer Collection, n° 215, repr. p. 329, - Fidler, Ward, 1993, p. 207 (repr.) - Plain, 1994, pp. 46-47 (repr.) - Bolger, Curry, Weinberg, The Metropolitan Museum of Art, 1994, pp. 19-20 (repr.) - Ciksovsky, National Gallery of Art, Washington, 1995, pp. 166-167 (repr.) - Stokstad, 1995, p. 1012 (repr.) - Berson, 1996, n° III-61, pp. 74, 92 (repr.) - Melot, 1996, pp. 238-239 (repr.) - Ward, Kansas City, Nelson- Atkins Museum, 1996, p. 222 - Gache-Patin, Tintorow, Paris, 1997, p. 30 (repr.) - Barter, 1998, pp. 176-177 (repr.) - Pollock, 1998, pp. 114-115 (repr.) - DeVonyar, Kendall, 2000, pp. 206-207 (repr.) - Dumas, Breneman, 2000-2001, Cat. exp. Atlanta, Minneapolis, Degas and America. The Early Collectors, fig. 1, p. 36 - Gerdts, 2002, pp. 49, 53 (repr.) - Hauptmann, 2002, pp. 33-34 (repr.) - Cuttle, 2003, pp. 117, 119-121 (repr.) - Londres, National Gallery, 2004, pp. 28-29 (repr.) - American Impressionists : Painters of Light and the Modern Landscape, 2007, p. 14 (repr.) - Degas in the Norton Simon Museum, 2009, II, fig. 11, pp. 12-13 - Williamstown, Barcelone, 2010-2011, Picasso Looks at Degas, cat. 301, repr. p. 289 - DeVonyar, Kendall, Cat. exp. Londres, Royal Academy of Arts, 2011, fig. 18, repr. p. 55 - New York, Museum of Modern Art, 2016, fig. 6, repr p. 24 - Paris, Washington, 2019-2020, Degas à l'Opéra, fig. 252, repr. p. 239.

Dernière mise à jour : 14/04/2026

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