Edgar Degas, auto-portrait
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Edgar Degas    1834-1917
The first digital catalogue raisonné
Paintings and pastels
by Michel Schulman

Photo de The Rehearsal of the Ballet

The Rehearsal of the Ballet

Circa 1876
Pastel et gouache sur papier
55 x 67,9 cm - 21 5/8 x 26 11/16 in.
Signé en haut à droite : Degas
Kansas City, The Nelson-Atkins Museum, Etats-Unis - Inv. F. 73-30
Dernière mise à jour : 2022-11-27 14:44:03
Référence : MS-362

History

Probablement acheté à Tanguy par Louisine Elder [Mme H. O. Havemeyer], New York, circa 1877 – Mme Peter Hood Ballantine Frelinghuysen, New Jersey et Palm Beach – George Griswold Frelinghuysen, 1932-1965 – Vente Sotheby’s, New York, Parke Bernet, 14 avril 1965, n° 49 – Pasadena, 1976-1977, Norton Simon Museum – Vente Sotheby’s, New York, Parke Bernet, 2 mai 1973, n° 7 – Marlborough Gallery, New York – Kansas City, Nelson Atkins Museum, 1973 [Acquisition Kenneth et Helen F. Spencer Foundation Fund].

 

 

Exhibitions

Paris, 6 rue Le Peletier, 1877, n° 61 (?) - New York, National Academy of Design, 1878, n° 133 - New York, Knoedler & Co., 1915, n° 33 - New York World's Fair, 1939 [Hors catalogue] - New York, World's Fair, 1940, Masterpieces of Art, n° 274, repr. p. 189 - Kansas City, Nelson-Atkins Museum, 1973-1974, Fortieth Anniversary [Sans catalogue] - New York, Metropolitan Museum, 1975, The Impressionist Epoch (s.c.) - Kansas City, Nelson-Atkins Museum, 1983, n° 36 A - Pittsburgh, Minneapolis, Kansas City, Saint Louis, Toledo, 1989-1990, n° 18 - New York, Museum of Modern Art, 2016, n° 6, repr. p. 24.

 

 

Bibliography

Moran, Art Journal, 1878, p. 92 – New York, Knoedler & Co., 1915, p. 20 – Meier-Graefe, 1923, p. 60 – H. O. Havemeyer Collection, 1931, pp. 364-365 (repr.) - Christopher, Pach, Catalogue of European and American Paintings : Masterpieces of Art, New York World’s Fair, 1940, repr. pp. 188-189 (repr.) – Lemoisne, 1946-1949, II, n° 365, repr. p. 195 – Fosca, 1954, pp. 52-53 (repr.) – Havemeyer, Sixteen to Sixty, 1961, pp. 249-251 (repr.) – Pickvance, Burlington Magazine 103, 1963, p. 264 n. 71 – Janis, "The Role of the Monotype in the Working Method of Degas", Burlington Magazine, n° 766, janvier 1967, p. 22, n. 13, repr. p. 23 – Janis, "The Role in the Working Method of Degas", Burlington Magazine 109, n° 767, février 1967, p. 72 – Janis, Degas, Monotypes, Essay, Catalogue and Checklist, Fogg Art Museum, 1968, n° 2, repr. p. 4 ’[Non exposé] – Lassaigne, Minervino, 1974, n° 485, repr. p. 109 – Adhémar, Cachin, 1974, pp. 269, 281 – "The Gallery in the Bicentennial Year", The Nelson Gallery and Atkins Museum Bulletin 5, n° 3, février 1976, p. 4 – "Recent Acquisitions", The Nelson Gallery and Atkins Museum Bulletin 5, n° 3, février 1976, p. 38 (repr.) – Dunlop, 1979, Edgar Degas, p 109 (repr.) - American Impressionism, Seattle, Henry Art Gallery, University of Washington, 1980, pp. 26, 28, 46 (repr.) – Kansas City, 1983, pp. 8, 15, 27 (repr.) – Gerdts, 1984, p. 49, pl. 40, p. 53 – Shackelford, 1984, repr. pp. 58-59 – Weitzenhoffer, 1986, pp. 21, 23, 26, 244, repr. p. 33 – The Collections of the Nelson-Atkins Museum of Art, 1988, pp. 104-105 (repr.) – Paris, Ottawa, New York, 1988-1989, fig. 130, repr. p. 260 – Gerstein, Impressionism: Selections from Five American Museums, 1989, pp. 20, 58, repr. p. 59 – Sutton, GBA, juillet-août 1990, pp. 35-36 (repr.) – Loyrette, 1991, p. 431 - Armstrong, 1991, pp. 131-132, 146-148, repr. fig. 79, 80, p. 147 – Boggs, Maheux, 1992, pp. 12, 28-29 (repr.) – Denvir, 1993, p. 108 (repr.) – Freylinghuysen, 1993, pp. 4, 6, 36, 77, 203, 329-330 (repr.) – Havemeyer, 1993, pp. 249-251, 307 n° 1, 331 n° 291, 336 n° 364, 336 n° 366 – Ward, Fidler, 1993, p. 207 (repr.) – Plain, 1994, pp. 46-47 (repr.) – Weinberg, Bolger, Curry, Metropolitan Museum, 1994, pp. 19-20 (repr.) – Ciksovsky, National Gallery, Washington, 1995, pp. 166-167 (repr.) – Stokstad, 1995, p. 1012 (repr.) – Berson, 1996, n° III-61, pp. 74, 92 (repr.) – Melot, 1996, pp. 238-239 (repr.) – Ward, Kansas City, Nelson Atkins Museum, 1996, p. 222 – Gache-Patin, Tintorow, Paris, 1997, p. 30 (repr.) – Barter, 1998, pp. 176-177 (repr.) – Pollock, 1998, pp. 114-115 (repr.) – Atlanta, Minneapolis, 2000, pp. 35-37, 44 n. 1, 44 n. 6, 44 n. 9 (repr.) – Kendall, DeVonyar, 2000, pp. 206-207 (repr.) – Gerdts, 2002, pp. 49, 53 (repr.) – Hauptmann, 2002, pp. 33-34 (repr.) – Cuttle, 2003, pp. 117, 119-121 (repr.) – Londres, National Gallery, 2004, pp. 28-29 (repr.) – American Impressionists: Painters of Light and the Modern Landscape, 2007, p. 14 (repr.) – Degas in the Norton Simon Museum, 2009, II, fig. 11, pp. 12-13 – Williamstown, Barcelone, 2010-2011, fig. 301, repr. p. 289 - De Vonyar, Kendall, 2011, fig. 18, repr. p. 55 - New York, Museum of Modern Art, 2016, fig. 6, repr p. 24 - Paris, musée d'Orsay, 2019-2020, Degas à l'Opéra, fig. 252, repr. p. 239.