The Rehearsal of the Ballet
Circa 1876
Pastel et gouache sur papier
55 x 67,9 cm - 21 5/8 x 26 11/16 in.
Signé en haut à droite : Degas
Kansas City, The Nelson-Atkins Museum, Etats-Unis - Inv. F. 73-30
Dernière mise à jour : 2025-04-15 13:31:27
Référence : MS-362
History
Probablement acheté à Tanguy par Louisine Elder [Mme H. O. Havemeyer], New York, circa 1877 – Mme Peter Hood Ballantine Frelinghuysen, New Jersey et Palm Beach – George Griswold Frelinghuysen, 1932-1965 – Vente Sotheby’s, New York ? ???, Parke Bernet, 14 avril 1965, n° 49 – Pasadena, 1976-1977, Norton Simon Museum – Vente Sotheby’s, New York, Parke Bernet, 2 mai 1974, n° 7 – Marlborough Gallery, New York – Kansas City, Nelson Atkins Museum, 1973 [Acquisition Kenneth et Helen F. Spencer Foundation Fund]. [Selon le catalogue de vente de l'INHA, Paris, VP 1974/580, la vente a eu lieu le 2 mai 1974 et non en 1973].
Exhibitions
Paris, 6 rue Le Peletier, 1877, n° 61 (?) - New York, National Academy of Design, 1878, n° 133 - New York, Knoedler & Co., 1915, n° 33 - New York World's Fair, 1939 [Hors catalogue] - New York, World's Fair, 1940, Masterpieces of Art, n° 274, repr. p. 189 - Kansas City, Nelson-Atkins Museum, 1973-1974, Fortieth Anniversary [Sans catalogue] - New York, Metropolitan Museum, 1975, The Impressionist Epoch [Sans catalogue] - Kansas City, Nelson-Atkins Museum, 1983, n° 36 A - Pittsburgh, Minneapolis, Kansas City, Saint Louis, Toledo, 1989-1990, n° 18 - New York, Museum of Modern Art, 2016, n° 6, repr. p. 24 - Paris, Washington, 2019-2020, Degas à l'Opéra, fig. 252, repr. p. 239.
Bibliography
Moran, Art Journal, 1878, p. 92 – New York, Knoedler & Co., 1915, p. 20 – Meier-Graefe, 1923, p. 60 – H. O. Havemeyer Collection, 1931, pp. 364-365 (repr.) - Christopher, Pach, Catalogue of European and American Paintings : Masterpieces of Art, New York World’s Fair, 1940, repr. pp. 188-189 – Lemoisne, 1946-1949, II, n° 365, repr. p. 195 – Fosca, 1954, pp. 52-53 (repr.) – Havemeyer, Sixteen to Sixty, 1961, pp. 249-251 (repr.) – Pickvance, Burlington Magazine 103, 1963, p. 264 n. 71 – Janis, "The Role of the Monotype in the Working Method of Degas", Burlington Magazine, n° 766, janvier 1967, p. 22, n. 13, repr. p. 23 – Janis, "The Role in the Working Method of Degas", Burlington Magazine 109, n° 767, février 1967, p. 72 – Janis, Degas, Monotypes, Essay, Catalogue and Checklist, Fogg Art Museum, 1968, n° 2, repr. p. 4 [Non exposé] – Lassaigne, Minervino, 1974, n° 485, repr. p. 109 – Adhémar, Cachin, 1974, pp. 269, 281 – "The Gallery in the Bicentennial Year", The Nelson Gallery and Atkins Museum Bulletin 5, n° 3, février 1976, p. 4 – "Recent Acquisitions", The Nelson Gallery and Atkins Museum Bulletin 5, n° 3, février 1976, p. 38 (repr.) – Dunlop, 1979, Edgar Degas, p 109 (repr.) - American Impressionism, Seattle, Henry Art Gallery, University of Washington, 1980, pp. 26, 28, 46 (repr.) – Kansas City, 1983, pp. 8, 15, 27 (repr.) – Gerdts, 1984, p. 49, pl. 40, p. 53 – Shackelford, 1984, repr. pp. 58-59 – Weitzenhoffer, 1986, pp. 21, 23, 26, 244, repr. p. 33 – The Collections of the Nelson-Atkins Museum of Art, 1988, pp. 104-105 (repr.) – Paris, Ottawa, New York, 1988-1989, fig. 130, repr. p. 260 – Gerstein, Impressionism: Selections from Five American Museums, 1989, pp. 20, 58, repr. p. 59 – Sutton, GBA, juillet-août 1990, pp. 35-36 (repr.) – Loyrette, 1991, p. 431 - Armstrong, 1991, pp. 131-132, 146-148, repr. fig. 79, 80, p. 147 – Boggs, Maheux, 1992, pp. 12, 28-29 (repr.) – Denvir, 1993, p. 108 (repr.) – Freylinghuysen, 1993, pp. 4, 6, 36, 77, 203, 329-330 (repr.) – Havemeyer, 1993, pp. 249-251, 307 n° 1, 331 n° 291, 336 n° 364, 336 n° 366 – Fidler, Ward, 1993, p. 207 (repr.) – Plain, 1994, pp. 46-47 (repr.) – Bolger, Curry, Weinberg, Metropolitan Museum, 1994, pp. 19-20 (repr.) – Ciksovsky, National Gallery, Washington, 1995, pp. 166-167 (repr.) – Stokstad, 1995, p. 1012 (repr.) – Berson, 1996, n° III-61, pp. 74, 92 (repr.) – Melot, 1996, pp. 238-239 (repr.) – Ward, Kansas City, Nelson Atkins Museum, 1996, p. 222 – Gache-Patin, Tintorow, Paris, 1997, p. 30 (repr.) – Barter, 1998, pp. 176-177 (repr.) – Pollock, 1998, pp. 114-115 (repr.) – Atlanta, Minneapolis, 2000, pp. 35-37, 44 n. 1, 44 n. 6, 44 n. 9 (repr.) – De Vonyar, Kendall, 2000, pp. 206-207 (repr.) – Gerdts, 2002, pp. 49, 53 (repr.) – Hauptmann, 2002, pp. 33-34 (repr.) – Cuttle, 2003, pp. 117, 119-121 (repr.) – Londres, National Gallery, 2004, pp. 28-29 (repr.) – American Impressionists: Painters of Light and the Modern Landscape, 2007, p. 14 (repr.) – Degas in the Norton Simon Museum, 2009, II, fig. 11, pp. 12-13 – Williamstown, Barcelone, 2010-2011, fig. 301, repr. p. 289 - De Vonyar, Kendall, 2011, fig. 18, repr. p. 55 - New York, Museum of Modern Art, 2016, fig. 6, repr p. 24 - Paris, Washington, 2019-2020, Degas à l'Opéra, fig. 252, repr. p. 239.