©The Brooklyn Museum, New York

Mlle Fiocre dans le ballet La Source

[Mlle Fiocre in the ballet La Source]

MS : 787
Musée
Brooklyn Museum, New York - New York - Etats-Unis
Inv. 21.111

L'œuvre
Dimensions
130 × 144 cm - 51 3/16 × 56 11/16 in.
Période
Circa 1867
Médium
Huile
Support
Toile

Informations additionnelles

Historique

Atelier Degas – Vente Degas, 1918, I, n° 8 (repr.) – Jacques Seligmann, Bernheim -Jeune, Durand-Ruel & Cie, Vollard – Vente Seligmann, American Art Association, New York, 27 janvier 1921, n° 68 (repr.) – Augustus Healy, James H. Post, John T. Underwood – New York, Brooklyn Museum, 1921  [Don A. Augustus Healy, James H. Post, John T. Underwood].

Expositions

Paris, Salon, 1868, n° 686 - New York, Brooklyn Museum, 1922-1923, Paintings by Contemporary English and French Painters, n° 158 - Northmapton, Smith College Museum of Art, 1933, Edgar Degas, n° 9 - Philadelphie, The Pennsylvania Museum of Art, 1936, n° 9, repr. p. 61 - New York, World's Fair, 1940, n° 277, p. 188 - Cleveland, Cleveland Museum  of Art, 1947, n° 12, repr. pl. XI - New York, Wildenstein & Cie., 1949, n° 14, repr. p. 42 - La Nouvelle Orléans, Isaac Delgado Museum, 1954, n° 73, p. 49 - New York, Wildenstein & Cie., 1960, n° 13 (repr.) - New York, Wildenstein & Cie., Philadelphia Museum of Art, 1971, n° 63, p. 27 (repr.) - Philadelphie, Detroit, Paris, 1978-1979, n° VI -43, repr. p. 291 - Florence, Palazzo Strozzi, 16 avril-15 juin 1986, Degas scultore, repr. p. 28 - Vérone, Palazzo Forti, 27 juin-7 septembre 1986, Degas sculptorte, repr. p. 28 - Maud, Before Manet to Modigliani from the Chester Dale Collection, 1929, n° 28 (repr.) - Lemoisne, 1946-1949, III, n° 1459, repr. p. 831 - Browse, [1949], pl. 232 - Cabanne, 1957, n°149, cat. 122 (repr.) - Washington, National Gallery of Art, 18th and 19th Century Painting and Sculpture of the French School in the Chester Dale Collection, 1965, p. 79 (repr.) - European Paintings and Sculpture. Illustrations, National Gallery, Washington, 1968, p. 32 (repr.) - Lassaigne, Minervino, 1974, n° 1156, repr. p. 137 - European Paintings: an Illustrated Summary Catalogue, National Gallery f Art, Washington, 1975, p. 96 (repr.) - Werner, 1977, n° 17, repr. p. 53 - Walker, National Gallery of Art, Washington, nouvelle édition, 1984, p. 478, n° 707 (repr.) - Maud, Before Manet to Modigliani from the Chester Dale Collection, 1929, n° 28 (repr.) - Lemoisne, 1946-1949, III, n° 1459, repr. p. 831 - Browse, [1949], pl. 232 - Cabanne, 1957, n°149, cat. 122 (repr.) - Washington, National Gallery of Art, 18th and 19th Century Painting and Sculpture of the French School in the Chester Dale Collection, 1965, p. 79 (repr.) - European Paintings and Sculpture. Illustrations, National Gallery, Washington, 1968, p. 32 (repr.) - Lassaigne, Minervino, 1974, n° 1156, repr. p. 137 - European Paintings: an Illustrated Summary Catalogue, National Gallery f Art, Washington, 1975, p. 96 (repr.) - Werner, 1977, n° 17, repr. p. 53 - Walker, National Gallery of Art, Washington, nouvelle édition, 1984, p. 478, n° 707 (repr.) - Washington, National Gallery of Art, 1984-1985, Degas. The Dancers, fig. 1.2, repr. p. 21 - European Paintings: An Illustrated Catalogue, National Gallery of Art, Washington, 1985, p. 119 (repr.) - Boggs, Cat. exp. Paris, Ottawa, New York, 1988-1989, Degas, fig. 330, pp. 576-579 - Fletcher, DeSantis, "Degas: the search for his technique", Burlington Magazine 131, avril 1989, fig. 12, pp. 263, 265 - Boggs, Maheux, Degas Pastels, 1992, n° 61, p. 158 - Kendall, Cat. exp. Londres, Chicago, 1996-1997, p. 131 - Cat. exp. National Gallery of Art, Washington, 2001, A Century of Drawing, n° 9 - Paris, Washington, 2019-2020, Degas à l'Opéra, fig. 182, repr. p. 183.



European Paintings: An Illustrated Catalogue, National Gallery of Art, Washington, 1985, p. 119 (repr.) - Boggs, Cat. exp. Paris, Ottawa, New York, 1988-1989, Degas, fig. 330, pp. 576-579 - Fletcher, DeSantis, "Degas: the search for his technique", Burlington Magazine 131, avril 1989, fig. 12, pp. 263, 265 - Boggs, Maheux, Degas Pastels, 1992, n° 61, p. 158 - Kendall, Cat. exp. Londres, Chicago, 1996-1997, p. 131 - Cat. exp. National Gallery of Art, Washington, 2001, A Century of Drawing, n° 9 - Paris, Washington, 2019-2020, Degas à l'Opéra, fig. 182, repr. p. 183.



Manchester, Cambridge, 1987, The Private Degas, n° 46, repr. p. 40 - Cambridge, Fogg Art Museum, 1993, Degas and the Opera. World in Transition : Mrs Fiocre in the Ballet La Source  (repr.) - Paris, New York, 1994-1995, cat. 343, repr. p. 278 - Washington, National Gallery of Art, 1998, Degas at the Races, cat. 8, repr. p. 33 - Houston, Cleveland, Baltimore,  2000, Impressionist Portraits from American Collections - Detroit, Philadelphie, 2002-2003, Degas et la danse, n° 49, repr. p. 50 - Canberra, National Gallery of Australia, 2008-2009, Degas : The Uncontested Master, n° 45, repr. p. 117 - Hambourg, Hamburger Kunsthalle, 2009, Intimität und Pose, fig. 4, repr. p. 15 - Melbourne, Houston, 2016-2017, Degas : A New Vision, (n.n.), repr. pp. 86, 239 - Wuppertal, Von der Heydt-Museum, 2016-2017, Degas-Rodin, (n.n.),  repr. p. 215 - Cambridge, Denver, 2017-2018, cat. 141, repr. p. 131 - Paris, Washington, 2019-2020, Degas à l'Opéra, fig. 42, repr. p. 52 - Paris, musée d'Orsay, 2023, Manet Degas, n° 54, repr. p. 74.

Bibliographie

Astruc, L’Etendard, 30 juillet 1868, p. 1 - Leroy, Le Charivari, 20 mai 1868, p. 2 - Raoul de Navery, Le Salon de 1868, n° 686, pp. 42-43 - Thermines, La Patrie, 19 mai 1868, p. 3 - Zola, L’Evénement, 9 juin 1868, pp. 2-3 - Castagnary, Le bilan de l’année 1868, 1869, p. 354 - Alexandre, Les Arts, CLXVI, 1918, p. 9 (repr.) - Jamot, Degas, GBA, janvier-mars 1918, repr. p. 149 - Jamot, Degas, 1918, repr. p. 31 - Lafond, Degas, 1918, I, p. 87 (repr.) - The Arts, janvier 1921, p. 10 (repr.) - Steiglitz, 1921, p. 10 (repr.) - Brooklyn Museum, Paintings by Modern French Masters, 1921, n° 71 - Les Arts, janvier 1921, n° 2, repr. p. 10 - Brooklyn Art Quarterly, VIII, 1921, p. 106 (repr.) - Jamot, Degas, 1924, pp. 25, 57-58, 97, 135-136, pl. 18 - Halévy, 1924, p. 9 - Ambroise Vollard, 1924, p. 8 (repr.) - Manson, Edgar Degas, 1927, pl. 8 - Ambroise Vollard, 1927, Degas. An Intimate Portrait, n° 57 (repr.) - The American Magazine of Art, novembre 1931, repr. p. 434 - Catton Rich, Formes, 1933, p. 381 (repr.) - Grappe, Degas, 1936, repr. p. 18 - Mongan, Burlington Magazine, juin 1938, p. 296 - Wilenski, 1940, p. 52 - Art News, 1944, (repr.) - Rewald, 1946, repr. p. 153 - Lemoisne, 1946-1949, II, n° 146, repr. p. 75 - Browse, [1949], Degas Dancers, pp. 21, 28, 51, 335, pl. 3 - Lemoisne, 1954, repr. face p. 32 - Wegener, 1954, pp. 8-10, fig. 4 - Cabanne, 1957, n° 26, p. 106 (repr. ) - Wick, Museum of Fine Arts Bulletin, 1959, VII, p. 90 - The Quarterly, été 1960, repr. p. 195 - Valéry, 1960, n° 93, p. 242 - Rewald, 1961, pp. 158, 186, repr. p. 175 - Boggs, Portraits by Degas, 1962, appendix p. 118 - Reff, Burlington Magazine, CVI, 1964, p. 255 - Pickvance, Burlington Magazine, juin 1963, p. 258 - Lassaigne, Minervino, 1974, n° 282, repr. p. 99 et pl. IX - Emile Zola. Le bon combat. Anthologie d'écrits sur l'art, 1974, cité p. 121 - Reff, The Artist's Mind, 1976, p. 30, fig. 9 - Reff, "Degas : A Master among Masters", Metropolitan Museum of Art Bulletin, printemps 1977, fig. 23 (repr.) - Philadelphie, 1978-1979, VI-43, p. 291 (repr.) - Dunlop, 1979, n° 71, repr. p. 81 - Rochester Memorial Art Gallery, 1982, fig. 111, repr. p. 115 - Washington, National Gallery of Art, 1984, pp. 20-21, fig. 1.2 - McMullen, 1984, paragraphe 8, pp.145-146, 470; paragraphe 9, p. 178; paragraphe 11, pp. 214-220; paragraphe 17, pp. 344, 363 - Brettell, Mc Cullagh, Degas in the Art Institute of Chicago, 1984, fig. 16-1, repr. p. 47 - Paris, Centre culturel du Marais, 1984-1985, fig. 16, pp. 18-19 - Washington, National Gallery of Art, 1985, fig. 1.2, repr. p. 21 - McQuillan, 1986, p. 62 (repr.) - Rewald, 1986, p. 123 (repr.) - Sutton, 1986, p. 73 - Thomson, Cat. exp. Manchester, Cambridge, 1987, The Private Degas, n° 46, repr. p. 40 - Fernandez, Murphy, Cat. exp. Williamstown, Sterling and Francine Clark Art Institute, 1987, Degas in the Clark, cat. C, repr. p. 11 - Dumas, Degas's Mlle Fiocre in the Context, 1988, repr. p. 8 et p. de couverture - Huttinger, 1988, repr. p. 29 - Rouart, 1988, Degas and his Technique, repr. p. 17 - Paris, Ottawa, New York, 1988-1989, Degas, pp. 133-135 - Shackelford, 1989, Cat. exp. Degas : The Dancers, fig. 1.2, repr. p. 21 - Armstrong, 1991, Edgar Degas. Odd Man Out, fig. 64, repr.p. 121 - Loyrette, Degas, 1991, pp. 208, 216, 228, 244 - Kendall, Degas Landscapes, 1993, cat. 61, repr. p. 77 - Zurich, Tübingen, 1994-1995, repr. p. 51 - Dumas, Ives, Stein, Tinterow, Cat. exp. The Metropolitan Museum, 1997-1998, The Private Collection of Edgar Degas, fig. 89, repr. p. 79 - Boggs, Cat. exp. Washington, National Gallery of Art, 1998, Degas at the Races, cat. 8, repr. p. 33 - Dumas, Breneman, Cat. exp. Atlanta, Minneapolis, 2000-2001, Degas and America. The Early Collectors, fig. 12, repr. p. 26 - Wilkin, "Bodies of Knowledge", Art in America, mars 2003, repr. p. 97 (repr.) - DeVonyar, Kendall, Cat. exp. Reading Public Museum, 2007, fig. 12, repr. p. 49 - Cat. exp. Portland Art Museum, 2008, fig. 5, repr. p. 206 - Glens Falls, New York, 12 juillet-19 octobre 2009, Degas & Music at the Hyde Collection, fig. 10, repr. p. 17. - Yokohama, Museum of Art, 2010, fig. 5, p. 14 - Roubaix, musée d'art et d'industrie, 2010-2011, fig. 2, repr. p. 18 - DeVonyar, Kendall, Cat. exp. Londres, Royal Academy of Arts, 2011, Degas and the Ballet. Picturing Movement, fig. 5, repr. p. 26 - Karlsruhe, Staatliche Kunsthalle, 2014-2015, Degas : Klassik und Experiment, fig. 103.2, repr. p. 231 - Jarbouai, Cat. exp. Paris, Washington, 2019-2020, Degas à l'Opéra, fig. 42, repr. p. 52 - Connaissance des Arts, Degas Hors série, 2019, repr. pp. 20-21 - Eiling, Mongi-Vollmer, Städel Museum, Francfort, 2020, En passant. Impressionism in Sculpture, fig. 2, repr. p. 110.

Dernière mise à jour : 13/04/2026

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